When shooting in a gym, try to have a section of bleachers or a backboard within your frame. Thinking about interviewing a teacher? Make sure there is a blackboard or some desks behind them. Choose your background wisely when you are interviewing someone in the field. It conveys information and authenticity, even if you have to add some touches to make reality look more real.
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Up thru the 1990’s TV broadcasters needed to be timid about colors because the analog TV technology produced such unreliable results. One brand of cameras produced acceptable cool colors and earthy tone but throw a yellow or red at them and the TV set would look as though the image was on fire, while another brand could tame the tearing red, but washout the remaining parts of the color wheel. But we’ve come a long way.
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Chroma-Key of course, works by substituting another texture, color, background in place of a very specific color. Principally we are talking about Chroma-Key, sometimes called Digital-green. It is a very bright, chartreuse green. Chroma-key is now relatively easy to accomplish, but here are a number of things that will help you to produce the best effect.
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I have been designing studio scenery for TV productions for a very long time, close to 2000 productions, from the grand to the prosaic. Just like any person who has ever had to put a pen to paper or a brush to canvas with a deadline clock ticking, I have my personal sources, computer folders, scrapbooks and old books. But I often find my best inspiration in the aisles of my local home center.
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