Josh tests the Hollyland Mars 4K in the harsh environment of Northcutt Stadium in Marietta, Georgia. With around 7,000 people and their devices, as well as tons of concrete, Josh was surprised at how well this device worked.
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Tom shares his experience with the Hollyland C1 as he tried to bust the myth about the device only working in the perfect scenarios.
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The “World’s Most Riggable Full Frame Camera” has arrived!!! I know you were waiting on it! It’s finally here!! I have to admit, I wasn’t sure where to start when Blackmagic Design backed up the new product truck for NAB and unloaded them all in an over 2 hour broadcast but I figured the “World’s Most Riggable Full Frame Camera” would be a good place to start for a lot of reasons not the least of which is the fact that it’s the most riggable camera in the world… The Blackmagic Design Pyxis is a 6k camera that comes ready for the world.
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Tom shares a couple of pacing guides and a rubric to be used in the broadcast news classroom. Detailing the intricacies of managing a well run broadcast program, Tom shares his thoughts and processes that help build a successful program.
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10,000 square feet didn’t seem like enough. There were people stacked on each other trying to get a look at the new products, watch demos of the new tools, and just take it all in. That was the scene at the BlackMagic Design booth at NAB this year. Massive!
The ideal situation would have the streams available for people to view as easily as possible. The problem became how. In the past, the organization set up two YouTube channels and broadcast to those so the fear became that in order to do six streams we would have to create and manage six different channels… that was not going to be fun and certainly not something I was interested in doing.
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The ideal situation would have the streams available for people to view as easily as possible. The problem became how. In the past, the organization set up two YouTube channels and broadcast to those so the fear became that in order to do six streams we would have to create and manage six different channels… that was not going to be fun and certainly not something I was interested in doing.
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The ideal situation would have the streams available for people to view as easily as possible. The problem became how. In the past, the organization set up two YouTube channels and broadcast to those so the fear became that in order to do six streams we would have to create and manage six different channels… that was not going to be fun and certainly not something I was interested in doing.
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A part of my job that I rarely talk about but I really love is the opportunity to give tours of our facility. Students, community members, alumni, and more all come into our space to see what we have going on. A quick look at the newsroom then the “ooh”s and “ahhs of the control room and the mezmerization (yeah, I just made up a word!) of the studio – specifically the application of chromakey and virtual sets. I love showing off what we do but recently something that was said set me back.
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6 computers running OBS… 14 ElGato Cam Like 4k capture devices … hundreds of feet of HDMI cables… 30 microphones…. 6 audio mixers… hundreds of feet of xlr cables…. 20+ iMac computers… 3 rolls of gaffe tape… a ton of sweat.. No blood (that I know of)… no tears (that I know of)… a couple of expletives… all to produce over 125 hours of live content over two days… by far, the biggest live stream event of my life!
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Newtek released a training course for the Live Story Creator tool in the Tricaster and this is by far the most needed training series of the year.
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Learn about how NDI can be used in your workflow to build a better broadcast.
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